From: http://tokillamockingbirdanalysis.wikispaces.com/Law+and+Integrity |
Click here for FULL ARTICLE
The most dramatic feature of her “new” novel, “Go Set a Watchman” — written before “To Kill a Mockingbird” but published 55 years afterward — is the revelation that Atticus, the supposed paragon of probity, courage and wisdom, was a white supremacist. In the mid-1930s, when the events of “To Kill a Mockingbird” transpire, white dominance was so completely established that Finch could blithely disregard any political dissatisfactions blacks felt and still get credit from his adoring daughter — and from millions of readers — for defending an innocent man.
------------
But the conversation doesn’t end with Monroe Freedman’s complaint about Atticus Finch’s limitations or with Jean Louise’s disillusionment with her previously idolized father. After Lee sold the manuscript we’re now reading, she worked hard on revisions. At her editor’s urging, she shifted the novel’s time frame from the 1950s to the Depression, away from the messy adult problems of a young woman coming to understand the racism of her father, and back to childhood, where seen through Scout’s eyes, Atticus Finch could become the hero that millions of readers love. The editor’s shrewd suggestion belonged to a specific time and place, too. In America in 1960, the story of a decent white Southerner who defends an innocent black man charged with raping a white woman had the appeal of a fairy tale and the makings of a popular movie. Perhaps even more promising, though, was the novel Lee first envisioned, the story of Jean Louise’s adult conflicts between love and fairness, decency and loyalty. Fully realized, that novel might have become a modern masterpiece.
No comments:
Post a Comment